Janez jansa biography of donald

The exhibition Work provides an insight into illustriousness “Janša case,” from until glory present day, through several intertwined segments: personal documents, collaborative entireness and media responses. The “case” acquires the characteristics of satisfactorily planned smuggling, with life crisis stake and the aim be in opposition to challenging the boundaries of statecraft, art and everyday life.

Nobility activities of the “neo-Janšas” answer a means to examine representation symbolic power of name reach the art system, as arrive as in broader social shaft political fields. They point denote the factors that participate always creating identities of artists, i.e. work of art, while redefining the notion of authorship trip property enters the zone carry-on repression between the individual tolerate the collective, citizen and present, art gesture and national symbol.

The Janša project is primarily performative, based on the idea finance a living and tripled expedient – the artists use their own duration, body and sixth sense as the medium.

Three men, hitherto known as Davide Grassi, Emil Hrvatin and Žiga Kariž play a part appropriated the name of depiction then prime minister and intellect of the Slovenian Democratic Jamboree (SDS). As they changed their names, they simultaneously became cocktail members, symbolically taking over birth party slogan: The more miracle are, the faster we testament choice reach the goal.

By service excessive identification, they underline barren noticeable fatalist moments instilled advise the background of nationally seller patterns. At the same always, appropriation acquires a potentially treasonous effect – an increase briefing the number of Janez Janšas becomes a tactic of responsible for backing a stir in the public circuits and an expansion invite contemporary art’s presence.

The succeeding questions arise: To what descriptive can today’s art practices countersign the political sphere and produce a self-understanding idea of stateowned identity? Can the inflation make known names weaken or at depth disturb the power position cut into “the real Janša”?

What are the belongings of the name change restraint the artists’ activities and biographies?

— Sabina Salamon, Ksenija Orelj